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"the best glitchy drone music we’ve heard this year" - homelessminds
"field recordings, manipulated glitches and subterranean ambience" - igloomag
"compellingly different, sonically inventive throughout and one of the most promising debuts out there in the ambient/experimental field at the moment" - savaranmusic
"a wealth of ideas" - ambientexotica
"made me feel unsettled" - opentracks
"a captivating soundcollage" - culturalflow
"mighty impressive glitch-filled drone" - lifeisnoise
"extremely beautiful, superb listen" - thesirenssound
"highly organic and vaguely claustrophobic" - secretdecoder
"glitchy sampled droney tribal soundscapes" - tanglesburrow
"consider these tracks akin to spirituals for machines" - beachsloth
"a very promising debut full of creativity and innovation" - tomatrax
"unique and compelling electronic melange" - floorshimezipperboots
"textured fuzz, fractured soundscapes and mechanical rhythms" - chaindlk
"moaning dissonant ambient and soft glitch morphed drones" - avantavant
"exploring the possibilities of samples and glitches to create memorable hooks" - ypoiw
"these layers of expressive sonic decoupage can only enhance your world" - beardrock
"some of the most kinetic and exciting IDM which I’ve heard so far this year" - pocketjury
"Tenth Oar is a solid start to what may turn out to be a fascinating career" - acloserlisten
"this is transportive music, to be buried beneath ground with your secrets" - redefinemag
"compressed fuzz and dense reverberations that would make for a perfect accompaniment on headphones whilst you wander deserted, post-apocalyptic streets" - electronicbeats
"it is good to hear that the avant-garde is alive and well" - artfist
credits
released 06 January 2012
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